What does DOJO mean?
The word DOJO is Japanese for (lit.) Way Place, inferring that study of
the martial ways includes an element of spiritual growth as well as physical
training.
How about KOKORO?
The word kokoro means heart, as in the core of the
spirit.
What does SHOBUKAN mean?
SHOBU is Japanese for Martial Spirit, and KAN
means Hall or House. We chose the name SHOBUKAN based on a gift of calligraphy
presented to the dojo by Kiyama Hiroshi Sensei.
JUJUTSU is kind of like judo isn't it?
Somewhat, in that judo was born
from the great teacher Kano Jigoro's study of several systems of jujutsu.
Kano, a martial genius, was a diligent student of the Japanese budo and
a highly steemed educator. His Kodokan Judo lent new life and respectability
to the study of budo in Japan and forever changed the world budo community
as well. The term jujutsu can encompass more than just grappling and
throwing. It covers any lightly-armed or unarmed fighting art with roots
in traditional Japanese martial systems. It's a bit generic. Some martial
scholars would lump judo, some systems of kempo, aikido and some composite
systems under the lable jujutsu. Jujutsu can be roughly translated as
the art of pliability or art of suppleness. It does not necessarily mean
'soft art' ...
What's the difference between BUDO and BUJUTSU?
Not much, really.
Budo means martial Way, and carries implications of spiritual development.
Bujutsu means martial arts and is usually associated with battlefield-tested,
combat-ready systems. Bugei is also martial art, and is a label applied
to the battlefield arts of the Japanese warrior class. Budo and bujutsu
are two faces of the same coin. If you study a combat art for years,
and delve into the art beyond a simple physical level, you will have
done budo. If you train in a modern system emphasizing personal development,
but gain skill at self defense, you will have learned bujutsu.
Isn't KEMPO just another type of karate or kung fu?
Yes and no. Historically,
kempo -- meaning Fist Method -- is often categorized as a subset of
Japanese jujutsu. In modern times, however, several uniquely American
systems of kempo (sometimes spelled kenpo) have gained great popularity.
The word kempo is a Japanese pronunciation of the Chinese characters
Chuan Fa. There's some evidence to connect Chinese traditions to early
Japanese budo (look up Chin Gempin), but not in any overwhelming fashion.
However, the Japanese historically looked to China for cultural direction
and often used Chinese terms or Chinese-sounding terms to make what they
were doing seem more refined. That said, kempo uses fists and feet,
punches, strikes and kicks, to attack an oppoenent's vulnerable spots,
and often includes followup pins, locks or throws. Our kempo is deriviative
of a Japanese lineage rather more than most American styles. At first
glance, it does look a lot like karate, with its punches and kicks. Looking
deeper, however, you'll find the striking (atemi waza) combined with
throws, joint locks and weapons tactics. Our jujutsu and kempo are closely
integrated and sometimes the lines between the two disciplines is blurry
at best.
What organization do you belong to?
The Dojo is independent with no
formal affiliation to any budo organization and no plans to establish
any such affiliation. We teach what we were taught and strive to polish
the wonderful art our teachers lent us without the obfuscation of politics.
What is your belt ranking structure?
We don't use colored belts to denote
rank. In fact, our members are basically either students or teachers.
Point of fact, I seldom wear any obi other than a simply woolen sword
obi that happens to be blue with a white geometric pattern. My students
wear white belts usually, but if they have colored belts from other training
they've done, they're welcome to wear them. A good rule of thumb is to
wear a belt that doesn't clash with your uniform ...
If you don't use ranks or belts, how do students know how they're doing?
We tend to focus on training for its own sake. Because our classes are
small and intimate, I can provide constant (and instant) feedback to
students as they train. In class, seniority sort of settles itself out
naturally without the artifical constraints of a belt system.
So you don't give out black belts?
Sure. Give me $25 and I'll get you
a genuine black belt, but it won't mean anything, won't turn you into
Jet Li, won't cure acne or make you popular. It'll be a piece of black
cloth. Seriously, we don't use colored belts. If a student demonstrates
solid abilities, good spirit, positive attitude and -- more importantly
-- the desire and potential to teach, we will, in time, provide tailored
instruction to guide the student toward a teaching license. But, no,
we do not give out black belts or any other rank as such.
What about competition?
We don't do competition. Competition can be
fun and personally rewarding, but for many who delve into the martial
arts, it becomes the whole enchilada. That's cutting off the larger portion
of what budo is all about. All competition provides an artificial construct,
a framework within which competitors can test their skill at competition.
There is very little correlation between competitive skill and martial
perfection.
Does your training involve weapons?
Yes. Students work with the bokuto
(wooden sword) and jo (literally: stick) at basic levels, and add shoto
(short sword), tanto (dagger), tessen (iron fan) and other weapons later.
Our regular training involves about 50 percent weapons, 50 percent empty
hand. In recent years, we've also brought in instructors from other weapons
arts for classes and seminars.
That looks like it hurts.
It probably does. Our joint locks are designed
to produce instant, verifiable results. There are ways to lock up the
arm without inflicting undue pain, however. In truth, it is often the
pinned person's own struggles or resistance that cause the pain, rather
than the actual application of the joint lock. We do exercises before
and after class to reduce the risk of injury from these techniques, but
like the man said: Don't try this at home!
This looks like fun, how do I sign up?
Well, the short answer is that
you can't just walk in and sign up for our classes. We require potential
students to observe a few classes (and let us observe them), possibly
attend a series of introductory lessons, which may be one-on-one sessions.
If, after that process, we are both still interested, you'll be asked
to join regular training. Folks with some experience in arts that teach
ukemi, falling and recovery, may be accelerated through that process.
How much are classes?
Membership fees are minimal; no one makes money
from our classes. We do not currently charge anything for training, but
don't accept just anyone as a student, either.
How do I find out more?
For info about classes in Indianapolis, e-mail
Tim Lamb at tim (at) the-dojo.com or call (317) 222-1785. For info
about training in Germany (we're in Grafenwoehr, in eastern Bavaria),
e-mail Chuck Gordon at shobukan (at) the-dojo.com or call 0151 124 25
252. You can also use the online e-mail form on the Contact page.
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